![]() ![]() The result is a book that allows readers to familiarize themselves with each individual step in the synthesis process, in turn empowering them in their own creative or experimental work. Shepard draws on his years of experience in synthesizer pedagogy in order to peel back the often-mysterious layers of sound synthesis one-by-one. Author and veteran synthesizer instructor Brian K. Perhaps the most difficult aspect of learning to create sounds on a synthesizer is understanding what all the individual synthesizer components contribute to the complex finished sound. ![]() Refining Sound is a practical roadmap to the complexities of creating sounds on modern synthesizers. Also a reminder that I need to go back and do more of this as it's been a long time since I sat down and tried to program everything from scratch. That is a great tip that applies to everything. Because after all, these are patches you picked out according to your own personal tastes. You'll get to know every nook and cranny, but more importantly, you'll start to discover which aspects of your synth manipulate sound in a way that you like. You'd be amazed at how much you'll learn about your synth doing this. This way you'll hear how each step gets you closer to the preset sound. While doing this, play the second synth every time you tweak a control. Then, one by one, open up each of your 50 presets on the first synth and re-create them manually on the second, by visually matching the controls, and consulting the manual when necessary. Next, open up two instances of your synth, and initialize the second one, so that it's just a plain saw wave sound. Do this until you have about 50 of your favorite presets with a variety of leads, basses, pads, and whatever other categories your synth offers. Now how do you get to know him/her/it?įirst, go through each preset one by one, playing them and saving the ones you like in a separate folder. Mod Wheel, Pitch Wheel and Velocity controls.Okay, so you've finally committed to a monogamous relationship. Distortion, Chorus, Phaser, Delay, and Reverb effects. Unison with Voice, Detune and Spread controls. LFO with four waveforms, seven destinations, rate, amount, trigger, and mono/poly modes. Filter (Low, Band and High Pass) with Resonance and Key Tracking. Saw, Pulse, Triangle and Sine waveforms. Three Oscillators (Two with Waveform, Pitch, Pulse Width, and Mix controls, and a Sub oscillator with Waveform and Volume controls). Included with the Primer app is the AUV3 App Extension, allowing you to open multiple instances of Primer inside popular DAW apps like Garageband, Cubasis, and AudioBus. As such, Primer contains the most common controls found on most subtractive/analogue synths, allowing for a wide variety of patches and sounds, while presenting a simple and easy-to-understand interface and layout. Created by Audible Genius, it is an exact replica of the synth used in their award-winning synthesizer training app, Syntorial. Primer is a synth equipped with the most essential controls and nothing more. ![]()
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